![]() ![]() And then, just to keep things unsettled, come passages filled with tenderness and wonderment, only to plunge back into the fray. The virtuosic British band Black Midi bristles in every direction: with jagged, skewed funk riffs with pointed dissonances with passages of Minimalistic, ominous suspense with lyrics full of bitter disillusion. She played all the instruments herself, scaling her sound up to arena size and chiming like U2, even as she refuses herself any excuses or forgiveness. “Beat myself until I’m bloody/And I’ll give you a ringside seat,” Julien Baker sings in one of the brave, ruthlessly self-indicting songs that fill “Little Oblivions,” an album about the toll of one person’s addictions on everyone around her.
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